Nothing gold can stay, but radness is forever.
So say Tokyo Police Club, who are set to release their first batch of new music since the enterprising and vaulting 2014 LP Forcefield. Now ten years on from their 2006 debut EP, the Toronto four-piece are looking back to the energy and spirit of that formative era while keeping an eye on the future. And with the two-part and self-released Melon Collie and the Infinite Radness EP's being let loose on both ends of 2016, lead singer/bass player and principal songwriter Dave Monks, drummer Greg Alsop, keyboardist/guitarist Graham Wright, and guitarist Josh Hook have harnessed that primal and instinctual joy to make Tokyo Police Club's tightest, brightest, and certainly raddest batch of songs to date.
When you start a band as a group of teenage best friends in your small Canadian hometown, it's hard to imagine that a decade later you will not only still be together and making music but also touring the world, playing shows to legions of fans, and putting out a steady stream of acclaimed albums. As the years have worn on, Tokyo Police Club continue to defy the odds, having pushed themselves and their art to the limit. Having completed their grandest statement in the form of their fourth and most time-intensive album to date, the boys took a little time away from each other. Monks moved to New York City and put out a solo record, while Alsop returned west to Los Angeles, Wright bunkered down in Toronto to work on a film, and Hook settled in rural Ontario on a patch of land. Enjoying their time apart to recover, experiment, explore, and evolve as people and not just as a band, the foursome reunited for the lengthy Forcefield tour, and during a brief break in the cycle at the end of 2014 they took what Monks refers to as a "New York vacation" together to record two new songs he had written earlier in the year.
"We knew we didn't want to work like we did on Forcefield, which was t